FOR
IMMEDIATE RELEASE: September 28, 2005
CONTACT: Rosemary Hallberg, UNC-TV,
919-549-7845 or rhallberg@unctv.org
Quilting History Is Unraveled
in The Great American Quilt Revival
Nothing exudes comfort like a quilt.
For centuries, quilts have been the stamp of a familyÕs identity, communicating
a message in its pattern, yet giving warmth on a cold night. But the art of
quilt making took a dramatic turn in the late 1960s, when Jonathan Holstein and
Gail van der Hoof bought their first quilt, utterly captivated by its
complicated beauty. In 1971 they convinced the Whitney Museum of American Art
in New York to do something radicalÑto hang quilts on the walls of the museum
like paintings.
The exhibit sent shock waves through
the modern art world and ignited a worldwide awareness of American quilts. This
American phenomenon is detailed in a new documentary, the Great American
Quilt Revival,
airing [AIRDATE AND TIME] on [STATION NAME].
Co-produced by Bonesteel Films and
quilting teacher-author Georgia Bonesteel, The Great American Quilt Revival relates the events that propelled
quilting from a folk craft to a mainstream art form. The documentary examines
the history of quilting through the eyes of several quilters and historians,
including Cuesta Benberry, Jonathan Holstein, Jean Ray Laury, and, of course,
its narrator, Georgia Bonesteel.
Quilting began as a practical tool
for the family to stay warm and slowly transformed to a recognized art form.
Quilter Marie Webster is credited for starting the first American quilt revival
in 1911, when national magazines made her quilt patterns available to the
public and she was stampeded by letters asking her for more patterns. The
Whitney MuseumÕs 1971 exhibit was the first to take quilts Òfrom the beds to
the wallsÓ and paved the way for future quilting exhibits and conventions. In
fact, the November 2001 Quilting Festival in Houston housed a special exhibit
of over 300 quilts created to commemorate the events of September 11 that year.
For Georgia Bonesteel, the film is
starkly different from her long-standing and nationally popular television
series, Lap Quilting. Not only did it allow her to tell stories about quilting that would
not fit into her regular series, but it gave her a chance to work with her son
Paul.
ÒPaul forced me to look at the
fantastic story of the American Quilt Revival from outside the quilt world
looking in,Ó said Bonesteel. ÒI think this has helped make this film
interesting to everyone, not just quilters.Ó
The Great American Quilt Revival also delves into different
expressions of quilting, especially Amish and African American styles, and
reflects on the change in quilt creation over the years, from thread and needle
to quilting machines that speed through a threading pattern at the touch of a
button. The film also depicts the sentiments that quilting has captured from
different eras, such as post war periods and AIDS awareness.
For more information about The
Great American Quilt Revival, visit www.quiltrevival.com.
Viewers can purchase DVDs of the documentary with additional scenes and
interviews by visiting the Web site or by calling 866-784-0300.
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